500 × 500 mm
Oil on cradled wood panel
White oak frame
This painting was made slowly, in soft layers, allowing the image to arrive rather than be forced. The lilies sit just beneath the surface of the water, partially revealed, as if you’ve caught them in a brief, quiet moment.
The colour palette is cool and restrained, built from pale blues, softened greys and muted shadow. Nothing is high contrast or loud. Light moves gently across the surface, and the forms feel held rather than outlined. It has a sense of depth, but also stillness.
I’m interested in how much can be suggested with very little. Earlier layers remain visible, giving the surface a softness and a feeling of time passing. The darker areas anchor the painting, while the lighter passages create space for the eye to rest.
This is a calm, contemplative work that rewards living with it. It’s not designed to demand attention, but to offer something steady and grounding, changing subtly with the light throughout the day.
500 × 500 mm
Oil on cradled wood panel
White oak frame
This painting was made slowly, in soft layers, allowing the image to arrive rather than be forced. The lilies sit just beneath the surface of the water, partially revealed, as if you’ve caught them in a brief, quiet moment.
The colour palette is cool and restrained, built from pale blues, softened greys and muted shadow. Nothing is high contrast or loud. Light moves gently across the surface, and the forms feel held rather than outlined. It has a sense of depth, but also stillness.
I’m interested in how much can be suggested with very little. Earlier layers remain visible, giving the surface a softness and a feeling of time passing. The darker areas anchor the painting, while the lighter passages create space for the eye to rest.
This is a calm, contemplative work that rewards living with it. It’s not designed to demand attention, but to offer something steady and grounding, changing subtly with the light throughout the day.
